Jack Wolfe: Relating to the “Survivors of the American Holocaust” portraits
“To rectify the society first rectify its language” - Confucius
Early in the new millennium there is the continuing presence of millions of Indians living among us while trying to preserve their identity and aspects of their culture. They are the surviving members of a people against whom the U.S. Government from the outset waged a deliberate campaign of genocide. The Government also sanctioned - indeed encouraged - civilian genocidal activity. Well into the 20the century Indian children were prohibited from showing any signs of “Indianess” and punished severely for speaking their native language. The phrase that characterizes this kind of activity is “ethnic cleansing” and it is a monstrous hypocrisy that today the U.S. Government vigorously condemns “ethnic cleansing” elsewhere on the planet.
The hypocrisy of customary American language regarding “democracy” and “freedom” needs to be relentlessly exposed - and admitted to. Genocide and slavery were two of the foundation pillars upon which this nation was built. It is a dreadful legacy that must not be allowed to continue into the 21st century.
It is my hope that “Survivors of the American Holocaust” will contribute to an increased awareness by non-Indians while providing for every viewer an opportunity for a profound aesthetic experience.
“Survivors of the American Holocaust” consists of 24 portraits of Native Americans, approximately 72” x 72” each. The series was begun in 1984, and the 24 completed more than a decade later. Jack Wolfe considers this to be a single work.
Leonard Peltier
Wolfe painted three portraits of Leonard Peltier. The first presents him as he was upon entering prison in 1978; the second two present him after almost thirty years of incarceration for a crime he did not commit.
Peltier is the United State’s foremost political prisoner. He is Lakota and Anishnabe, and a former high level leader of the American Indian Movement (AIM), who was framed for the murder of two FBI agents at the Pine Ridge Reservation in North Dakota in 1975. Amnesty International, Nelson Mandela, Archbishop Desmond Tutu, and millions of private citizens around the world have petitioned for his release.
AIM Triptych
The American Indian Movement is a political, spiritual, and cultural organization which seeks sovereignty for Native Americans and opposes “the ruinous policies of the United States, Canada, and other colonialist governments of Central and South America.” (“A Brief History of the American Indian Movement” by Laura Waterman Wittstock and Elaine J. Salinas. See www/aimovement.org.
Wolfe’s triptych, a part of the “Survivors of the American Holocaust” series, portrays three “fictional” AIM members. In the sunglasses of the AIM figure on the right of the triptych is a reflection of casualties of the Wounded Knee 1973 battle of Native American activists and U.S. armed Federal forces.
In the background of the left panel the stripmining of Native lands (Peabody Mining Company) is depicted. The exploitation of those areas by federally subsidized companies has been environmentally and economically disastrous for Indian communities. The uranium mining on Lakota land has even been described as “genocide” by Russell Means, a Lakota spokesperson:
"Right now, today, we who live on the Pine Ridge Reservation are living in what white society has designated a “National Sacrifice Area.” What this means is that we have a lot of uranium deposits here, and white culture (not us) needs this uranium as energy production material. The cheapest, most efficient way for industry to extract and deal with the processing of this uranium is to dump the waste by-products right here at the digging sites…..This waste is radioactive and will make the entire region uninhabitable forever….The same sort of thing is happening down in the land of the Navajo and Hopi, up in the land of the Northern Cheyenne and Crow, and elsewhere….We are resisting being turned into a National Sacrifice Area. We are resisting being turned into a national sacrifice people. The costs of this industrial process are not acceptable to us. It is genocide to dig uranium here and drain the water table - no more, no less."
Peter Matthiessen, “In the Spirit of Crazy Horse,” p. 511
“To rectify the society first rectify its language” - Confucius
Early in the new millennium there is the continuing presence of millions of Indians living among us while trying to preserve their identity and aspects of their culture. They are the surviving members of a people against whom the U.S. Government from the outset waged a deliberate campaign of genocide. The Government also sanctioned - indeed encouraged - civilian genocidal activity. Well into the 20the century Indian children were prohibited from showing any signs of “Indianess” and punished severely for speaking their native language. The phrase that characterizes this kind of activity is “ethnic cleansing” and it is a monstrous hypocrisy that today the U.S. Government vigorously condemns “ethnic cleansing” elsewhere on the planet.
The hypocrisy of customary American language regarding “democracy” and “freedom” needs to be relentlessly exposed - and admitted to. Genocide and slavery were two of the foundation pillars upon which this nation was built. It is a dreadful legacy that must not be allowed to continue into the 21st century.
It is my hope that “Survivors of the American Holocaust” will contribute to an increased awareness by non-Indians while providing for every viewer an opportunity for a profound aesthetic experience.
“Survivors of the American Holocaust” consists of 24 portraits of Native Americans, approximately 72” x 72” each. The series was begun in 1984, and the 24 completed more than a decade later. Jack Wolfe considers this to be a single work.
Leonard Peltier
Wolfe painted three portraits of Leonard Peltier. The first presents him as he was upon entering prison in 1978; the second two present him after almost thirty years of incarceration for a crime he did not commit.
Peltier is the United State’s foremost political prisoner. He is Lakota and Anishnabe, and a former high level leader of the American Indian Movement (AIM), who was framed for the murder of two FBI agents at the Pine Ridge Reservation in North Dakota in 1975. Amnesty International, Nelson Mandela, Archbishop Desmond Tutu, and millions of private citizens around the world have petitioned for his release.
AIM Triptych
The American Indian Movement is a political, spiritual, and cultural organization which seeks sovereignty for Native Americans and opposes “the ruinous policies of the United States, Canada, and other colonialist governments of Central and South America.” (“A Brief History of the American Indian Movement” by Laura Waterman Wittstock and Elaine J. Salinas. See www/aimovement.org.
Wolfe’s triptych, a part of the “Survivors of the American Holocaust” series, portrays three “fictional” AIM members. In the sunglasses of the AIM figure on the right of the triptych is a reflection of casualties of the Wounded Knee 1973 battle of Native American activists and U.S. armed Federal forces.
In the background of the left panel the stripmining of Native lands (Peabody Mining Company) is depicted. The exploitation of those areas by federally subsidized companies has been environmentally and economically disastrous for Indian communities. The uranium mining on Lakota land has even been described as “genocide” by Russell Means, a Lakota spokesperson:
"Right now, today, we who live on the Pine Ridge Reservation are living in what white society has designated a “National Sacrifice Area.” What this means is that we have a lot of uranium deposits here, and white culture (not us) needs this uranium as energy production material. The cheapest, most efficient way for industry to extract and deal with the processing of this uranium is to dump the waste by-products right here at the digging sites…..This waste is radioactive and will make the entire region uninhabitable forever….The same sort of thing is happening down in the land of the Navajo and Hopi, up in the land of the Northern Cheyenne and Crow, and elsewhere….We are resisting being turned into a National Sacrifice Area. We are resisting being turned into a national sacrifice people. The costs of this industrial process are not acceptable to us. It is genocide to dig uranium here and drain the water table - no more, no less."
Peter Matthiessen, “In the Spirit of Crazy Horse,” p. 511
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